I guess the most moving part for me,is the first half.
When wife died after gave birth to little daughter,
Ben's reaction.
And also that 'the only girl I take on date is you'
When he said he still loves his wife,to young beauty.
I was deeply moved.
Compareingly,I don't have any emotion on the second half in terms of this new love.
我常常觉得烂俗的情节不要紧，越是烂俗却还能让人觉得有意思，才越是厉害的导演。
"Smith is trying to say something heartfelt, even as he's using formulas that are unworthy of him."
只要有人能感受到那个heartfelt，那不就是一切的目的。
According to 弗洛姆，@Vacuo etc.，爱的一种定义就是它想让你变成一个更好的人。
电影里在女儿的殷切目光下走上讲台说服市民同意某工程的Olle，正是生活中拍出越来越好电影的小本。
听听拍了Argo之后的小本说的：
“When I was younger and have the early success I had-it sounds like the worst Hallmark cliche-but I didn't have anyone to share it with. I don't mean that I wanted someone to sit by the fire with. But when you have a family and children, you kind of see yourself reflected in them. I want to make the kinds of movies that my kids are proud of, I have higher standards, in a way, for them.”
真不知道是Olle影响了Ben，还是这样的Ben才演得出来Olle。
当然是要长得帅的
小本在这部片子里非常吸引人, 年轻的帅爸爸本来就性感到无边, 老婆还死了, 有人拦都大量花痴扑上去的好吧
但是编剧非常有问题, 开头半小时讲JLo死前的事情, 却没有把他们的感情铺垫得特别深厚, 完全用几分钟的剪辑就可以代替的, 我只能解释是JLo不愿意像小马那样不拿钱客串, 当女配有钱拿
另一个明显编剧水平不行的证明就是小本在市民集会上的演讲, 居然完全用音乐盖过, 看来导演和编剧都对台词完全没有信心.
《泽西女孩》2004年，因为你就是唯一
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