很精巧的结构与人物关系,轻描淡写的衔接与融合。影片并不是完全的分段式结构,人物最初的铺陈随着各自故事的展开,自然而然地交织在一起,同时又相互支撑一同拓展了空间。《上帝之城》的导演,放下了紧张与暴力,从容地走向了温情。
我觉得这是一个很好的多线叙事的范例,不知道为什么有人说差。Anyway,Anthony Hopkins的那段,让我印象极其深刻。我不喜欢看老人戏,但是老戏骨太牛掰,那一个眼神一个表情都直达你的内心。我觉得他那一大段monologue,如果被别人说来,我一定早就出戏了。结果被他说得。。。以后有男同学要去试镜,需要准备monoloque,这段真正好!(扒下来之后觉得,台词真一般,被他说过之后的味道才这么好!!!)
"see you next time"
they're 4 innocent enough words
but they went through me like a knife.
because in that moment I realized to them I'd become a familiar face.
A joke. You know, the British guy who's running a one-man campaign stubbornly scratching away,
refusing to do what you've all been urging me to do for years and years.
You move on, let go and all that stuff.
Yeah, it's not easy.
I got sober a long time ago out in Los Angeles. 35, 36 years ago.
故事一个套着一个,在普通的故事中,每一个人内心的小小微澜小小波动,充满了触动。
其实在看的时候就应该把自己放在彼时彼境中,明白好多
圆舞360:蝴蝶扇翅膀,上帝笑一笑
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