Laura Mulvey discussed women's 'to-be-looked-at-ness' in classic Hollywood films in her essay which is entitled 'Visual Pleasure and Narrative Cinema'. It basicly expresses females are in a passive position by sexual imbalance and the female characters appearance is erotic set up for audiences's visual pleasure. It causes female characters to be shown and looked at in a exhibitionist role. In my opinion, the 'to-be-looked-at-ness' of female characters was not only displayed in classic Hollywood films, but it also effects contemporary films a lot. I'm going to connect this idea with a movie called 'The Whistleblower' (2010, directed by Larysa Kondracki) and explain the affections of 'to-be-looked-at-ness' in contemporary films.

2011年传记剧情片，根据在联合国担当维和人员的凯瑟琳·波克瓦克的真实经历改编，讲述了一个女警察陷入美国当局一桩丑闻事件的种种遭遇的故事。开头有些闷，但随后剧情变得越来越紧凑深刻，看了让人心情十分沉重的电影，那些表面光鲜的人性背后隐藏着极其恶劣的兽性，一个黑暗到无以复加的世界！
真实事件改编，真相黑暗震惊，结局沉重残酷，最后对人口贩卖相关犯罪数据的科普让人触目惊心，使整部影片的意义得到极大升华。美好欢乐的电影固然是生活调味品

告密者：罗克珊娜·康杜拉切领衔，震撼震惊难过
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